London Fashion Week celebrates timeless styles with elegant mini dresses and the return of ‘great British prom’ look

Also artistic director of the LVMH group’s up-and-coming Spanish label Loewe, Anderson revisited the classics in his latest collection, adding sweater sleeves or giant knitwear onto simple white or navy dresses. A few models donned summer dresses in sky blue satins and pink sequins, but more looked prepared for a chilly British summer, borrowing thick knitwear and leather from the winter wardrobe.

Dance-ready models strutted down the runway in sumptuous tutus and leotards in black, brown, and khaki leather, with others wearing mini and maxi versions of the “balloon” skirt, which has been making a comeback since spring.

Prom

Dripping in 90s and early 2000s nostalgia, Londoner Sinead Gorey’s latest collection was a look back at the “great British prom”, with the runway in a basketball court decked in tinsel garlands and completed with a disco ball. In her latest collection, Gorey successfully evokes British culture without relying on obvious emblems like she has in the past with the Union Jack.

Characteristically subversive, Gorey’s prom queen was usurped by the “prom anti-heroine” in the show, flaunting dress code-breaking corsets and miniskirts with tie details and tartan prints. “She’s the outcast of the prom, ditching the archetypal prom dress. In fact, she’s probably not even going to the prom — just the afterparty,” Gorey said of the collection.

Returning the word of the summer “brat” to its original meaning, models had punk-inspired hairdos, accessories bejewelled in diamantes, and tangled earbuds with phones part of Gorey’s “phonecore” aesthetic fusing tech and fashion. As y2k trends enjoy a resurgence, the collection’s mini T-shirt dresses, three-quarter leggings, and bubble gum pink, knee-high Converse shoes felt familiar, helped by Gorey’s takes on the balloon skirt and coquette-style ribbons.

However, with fast-changing trends on social media and digital saturation, the collection also felt wistful, as the notes on the show declared “house parties, Facebook albums and an altogether more tethered relationship with social media” as part of a “bygone era”.

Gender expression

British designer Erdem Moralioglu also told a story at Sunday’s show in the majestic courtyard of the British Museum, with fashion high priestess Anna Wintour in the audience, bringing Radclyffe Hall’s book “The Well of Loneliness” to life. The 1928 work, about a lesbian woman who, like Hall, wanted to live her life as a man, caused a scandal in Britain and was banned for obscenity.

For his spring-summer 2025 collection, exploring the spaces between gender identities, Erdem first presented models in baggy suits and cropped hair, followed by others, romantic and feminine, in delicate dresses with ruffles or lace. But these figures merged, and little by little, the masculine jacket was combined with gossamer tights, pearl skirts, and silk shirt-dresses.